A documentary potted history of WW2, the novelty here is that most of the film has been "colorized". The maker does not like to use this word and prefers to say "restored" but to all intents and purposes it is seeing the war in colour that makes it more gory and emotional. Explosions, bodies, speeches, ruins, bombs, it's all there and by the end of the sixth and last episode you are completely drained ! It is difficult to imagine how so much grief, damage disaster horror can be caused at the beginning by such a small number of people. Apparently, over 700 hours of film were examined before selecting the final product which is 6 x 52 minute episodes.
纳粹警示录揭示德国第三帝国的兴衰史,介绍纳粹如何兴起、如何统治、如何对待他们占领后的土地人民,最重要的是,如此文明先进的国家要如何对这种惨无人道的行为负责?
透过详实的拍摄镜头,纳粹不人道的统治方式历历在目,由目击者叙述当时希特勒令人惊悚的残暴行为,及最终如何结束这种恐怖的局面而显现曙光……剧情、结局绝对出乎你意料之外,记录真实,BBC写实巨献……
英国BBC公司于1997年,以冷静的视角,拍摄了这部纪录片。详实的纪录了希特勒及纳粹的崛起、巅峰、衰落……采访了大量的当事人,重返二战战场,寻遍各大历史博物馆,务求还历史本来面目。在片中,我们可以看到犹太民族的痛苦,看见战争死去的那些人,以及依然怀念那个时代的德国老妪……
1、Helped into Power 获取权力
2、Chaos and Consent 纳粹德国统治:混乱与承诺
3、The Wrong War 错误的战争
4、The Wild East 东部闪电
5、The Road to Treblinka 通往特雷布尔卡的魔鬼之路
6、Fighting to the End 战斗至最后一刻
For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.